CITRU documents: Mexican theater and research

No. 3, November, 1996, 144 p.

Biannual
Published from 1995 to 1997 (four issues)
CONACULTA-INBA-CITRU
México.

Contents

Special Book. Theater and Nation:
LOBATO, Imelda y Leslie Zelaya.
Theater and Nation: Introduction (p. 7)
ENRÍQUEZ, José Ramón.
Against Nationalism in Heaven, Theater and Everywhere (p. 9)
CONTRERAS SOTO, Eduardo.
The Country that the End-of-Century Scene Expected (p. 13)
VÁSQUEZ MELÉNDEZ, Miguel Ángel.
Theater, Nation, and Civic Calendar about a Play by Enrique Olavarría y Ferrari (p. 24)
RZEWUSKA, Edyta.
Gran Teatro Nacional (p. 30)
ORTEGA, Carlos M.
How Mexican Genre was Born (p. 38)
MERLÍN, Socorro.
Nationalism of Drama Authors of the Generation of 1923 (p. 43)
ORTIZ BULLE-GOYRI, Alejandro.
From "Café de Nadie" to the scene (the Stridentist Movement and its Theater Practice) (p. 52)
LIST ARZUBIDE, Germán.
Mexican Theater? International (p. 62)
USIGLI, Rodolfo.
First Notes on Theater (p. 65)
RIVERA, Héctor.
Theater at IMSS: Dreams and Reality (p. 68)
VALENCIA, Rodolfo.
Theater and Nation (p. 73)
ESPINOSA, Mario.
Making a Theater Nation? (p. 77)
LEÑERO, Vicente.
Only with Mexican Playwrights Can There Exist Mexican Theater (p. 82)

Agenda of CITRU:
IZQUIERDO, Jorge.
Latent Image. Polaroid (p. 89)
Zelaya Leslie and Imelda Lobato.
Mexican Theater: History and Dramaturgy (p. 97)
FUENTES, Guillermina.
Two Theater Groups and Mexico City in 1940 (p. 106)
RECCHIA, Giovanna.
Mexican Theater Infrastructure Inventory (p. 113)
PRADIER, Jean-Marie.
Live and Virtual (p. 116)

From the Files:
AZAR MANZUR, Carlos.
Experience of Freedom. CADAC (p. 127)
GALICIA, Rocío y Amaya Clunes.
Seminar of Scenic Experimentation (p. 129)
PIOT, Oliver.
The Irresistible Force of Technical Jobs (p. 137)
ROVIROSA, Gabriel S.
"No acting" shops and actor’s "un-training" at CNA (interview with Edgar Alexen) (p. 139)