Sergio López Sánchez

Sergio López Sánchez

Specialist in theater buildings and the shaping of performing routes in Mexico


Theater Researcher.


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He is the author of the books The Ángela Peralta Theater in Culiacán Rosales (printed by the Sinaloa Institute of Culture [Instituto Sinaloense de Cultura]); The Ángela Peralta Theater in Mazatlán: From Eviction to Resurrection (second corrected and expanded edition, Mexico, Mazatlán City Council, CONACULTA/INBA/CITRU, 2004); House of Peace Theater. News of Numerous Spaces (Mexico, UAM, 2000); Where the Words Die: Apolo Theater in Culiacán (Culiacán, DIFOCUR, 2000); In Articulo Mortis, the Ángela Peralta Theater: From Eviction to Resurrection (Mazatlán, Mazatlán City Council/DIFOCUR/ Editorial Cronopia, 1999). He is coeditor of the book Esperanza Iris. The Iron Soprano. Writings Part I (edition, introduction, notes and indexes by Sergio López Sánchez and Julieta Rivas; Guerrero, Mexico, CONACULTA/INBA/CITRU/Government of Tabasco, 2003). Sergio also collaborated in the anthology The Complete Theater Works of Óscar Liera (introduction by Armando Partida, research and notes by Armando Partida and Sergio López, Culiacán, DIFOCUR, 1997). He is the author of prologues for Ramón Perea in Hopes for Fishing in a Boat Called Melody (Culiacán, Sinaloa Institute of Culture [Instituto Sinaloense de Cultura], 2010) and for Ramón Mimiaga in The Singing of the Knife Grinder (Culiacán, Culiacán City Council, 2007 Municipal Institute). He has published various articles in magazines and newspapers. He coordinated the research, molding and editing of the onomastic indexes for the titles in The History of Mexico’s Main Theater 1753-1931 and in The History of the Great Old National Theater of Mexico, by Manuel Mañón, both works published by CITRU in 2000. He has carried out the exhibitions "Correspondence Mexican Theaters" (featured in Mexico City, Culiacán, Tepoztlán, Stockholm and Ciudad Juárez) and "Esperanza Iris, The Iron Soprano" (featured in Mexico City, Culiacán, Morelia and Villahermosa). As an actor, researcher or exhibitor, he has participated in the following issues of the National Theater Festival, organized by INBA: Culiacán (2009), Ciudad Juárez (2008), Pachuca (2006), Morelia (2003), Guadalajara (2001), Mérida (2000), Tijuana (1999), Monterrey (1986), Xalapa (1984) and Morelia (1983). He participated as an actor in the Cervantino International Festival (1999, 1986, 1984 and 1983), in the New York Latin Festival (1985) and in the international festivals of Manizales, Armenia, Pereyra, and Bogotá, Colombia (1984).